虎座凤架悬鼓（复仿件）
虎座鸟架鼓又名虎座凤架悬鼓、虎座鸟架鼓，战国时期乐器；原件现收藏于湖北省博物馆，大厦现藏有复仿件于长江厅；出土于湖北九连墩战国楚墓２号墓。这是中国楚墓中发掘出的最大虎座凤架鼓之一，以对称布局的双凤、双虎作为鼓架。底座为两只背向而踞的伏虎，虎背上各站立一只鸣凤。彩绘的凤鸟扬首昂然站立，似乎在引颈长鸣；凤的双足踏在虎背之上，而作为百兽之王的猛虎则驯服地蜷卧在那里。虎和凤的全身都被涂以黑色，并用红、黄、蓝、银灰等颜色绘出虎身的斑纹和凤的羽毛。整个作品的造型别致典雅，设计精良，体现了设计者绝妙的想象力和高超的艺术表现力，具有浓厚的楚文化特色。
Suspended Drum on Tiger-Base with Phoenix Frame (Reproduction)
The drum on tiger-base with bird frame, also known as the tiger-base phoenix-frame suspended drum or tiger-bird drum stand, is a musical instrument from the Warring States period. The original is now housed in the Hubei Provincial Museum, and the building currently houses a reproduction in the Yangtze River Hall. It was unearthed from Tomb No. 2 of the Chu tomb complex at Jiuliandun in Hubei Province. This is one of the largest tiger-base phoenix-frame drums ever discovered in Chu tombs in China, featuring a symmetrical arrangement of two phoenixes and two tigers as the drum stand. The base consists of two crouching tigers facing away from each other, each with a singing phoenix standing on its back. The painted phoenixes stand tall with heads raised, as if stretching their necks in song; their feet rest firmly on the tigers' backs, while the fierce tigers—kings of beasts—lie docilely crouched beneath. Both the tigers and the phoenixes are coated in black lacquer, with their stripes and feathers painted in red, yellow, blue, and silver-gray. The overall composition is elegant and distinctive, with superb design that reflects the designer's extraordinary imagination and high artistic expression, embodying the rich characteristics of Chu culture.
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湖北大厦赋
白虎在己卯，时令当仲秋。天朗气清，闻时代之角鸣。惠风和畅，揽盛世之华章。京华硅谷之南大街，大国气象之中北阙。高楼挺拔，崛地而起。气势雄浑，居东面西。峨峨屹立十八九，煌煌门牌为卅六。
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今湖北之地，古楚国之域也。古语有云：“惟楚有才，于斯为盛！”。
入斯广厦，煌煌华堂，鬱鬰楚风。青铜鹿角瑞鹤立，虎座凤鸟悬鼓横。大国礼器，编钟颂磬悬簨虡。镂垣雕壁，三楚神韵恢诡奇。上古篆文，屈子《离骚》刻其迹。其辞曰：“帝高阳之苗裔兮，朕皇考曰伯庸。”
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美哉！湖北大厦！
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